The Washington Post
by Peter Marks
May 7, 2019
“For his valedictory production as Shakespeare Theatre Company’s artistic director, Michael Kahn has chosen to take us back to the dawn of Western drama. It’s a harrowing excursion to be sure. But in his heart-stopping mounting of Aeschylus’s tragedy, “The Oresteia,” the final destination is not despair. It’s hope.
What a fitting and consoling point of conclusion from a director whose career has been guided so consequentially by the wisdom of the past. If “The Oresteia” — lyrically compressed and otherwise inspirationally modified by Ellen McLaughlin — sets sail on a river of blood, it floats back in on a tide of grace…”